I did an EOY newsletter, but only to explore the list form as interruption! It's available through my Substack, which you should subscribe to for free, if you'd like to receive these updates directly to your email. It's a nice way to guarantee things I make with extraordinary care and then launch into the void… Continue reading 2022: AGAINST THE PRESS CYCLE, AGAINST THE RELEASE CYCLE, WE STAND UNCOMPROMISING IN THE SERVICE OF AUTHENTIC ENGAGEMENT WITH MEDIA
I got to interview kranky co-founder, Bruce Adams, about his new book and some of his favorite music from the label and otherwise. I thoroughly enjoyed speaking to Bruce about his new book, how capitalism and social media are ruining everything, and the strange and depressing end of an era we seem to be at… Continue reading Bruce Adams Big Ups
Concluding the second year of my Seasonal Mixtape Series, it's finally here: fall 2022//no autumn leaves. You may notice this sounds a lot better than every other tape in the series so far; that is because I switched to a double cassette set format in order to still bring you a thrilling two hour narrative… Continue reading Fall 2022//no autumn leaves
Honestly, I think I should conduct more interviews on a hike through black oak savannas at dusk in late September. This was the most pleasure I've ever had listening back to an interview. Mike Weis is possibly the most inspiring person I know, in addition to being my favorite living percussionist. Writing this article changed… Continue reading Mike Weis Takes the Long Road to Pure Sound
I put the Land on the Bandcamp front page again, talking about the self-titled debut album by Cleveland garage rock institution, New Salem Witch Hunters. Crank that shit. Sorry, not sorry, WMMS!!!! It’s also about how it’s really challenging for bands to try to exist in Cleveland, which seems to be a central force in… Continue reading New Salem Witch Hunters Kept Garage Rock Regional and Obscure
Always a good day when I get to invoke Carl Sandburg, honestly! Nick Macri personifies everything that makes me love the artistic culture of this city and feel proud to be a part of it and this week I gave him the 🏆 Bandcamp Grammy Treatment 🏆. Check in with what he has been doing largely… Continue reading Nick Macri Embodies the Spirit of Chicago’s Creative Community
As some of you may know, one of my career goals is to adjunct college without ever stepping a single foot inside of graduate school. So, I am pleased to announce what could only be the beginning of my journey to being a Guest Lecturer, with the arrival of an incredible solo exhibit from Norman… Continue reading Guest Essayist for Norman W. Long’s “Calumet in Dub” Solo Exhibit
This time around, all Mercury retrograde mixtapes began as studies for my fall 2022 seasonal mixtape. Starting each one with "Weather Radio" was abandoned as I moved to a new format of high bias 60 minute tapes and wanted to try out drafts of equal length sides. (The first two tapes were 90 min normal… Continue reading Weather Radio: A Mercury Retrograde Sanity Mixtape Series
I wrote up this rad label in LA called Dinzu Artefacts for September's Tape Label Report. I highlighted a release from Slow Bell Trio, which features Mike Weis, who I am presently also writing a Lifetime Achievement article on. The other highlighted release is from a duo called Neti-Neti. Check it out! © COME AWAY… Continue reading Dinzu Artefacts in September Tape Label Report
It was an honor to write about why Omnivore's Rounds is such a hidden gem. This record has been a favorite for the past decade since it was released, but for some reason it pulled me back in hard this year, and I noticed when I would play songs from it for others that they… Continue reading Omnivore’s “Rounds” Bends Circuits and Fears About Female Agency
COME AWAY WITH EMD 